I've written and made art about the misogyny and abuse that is rife on the left a couple of times before, like here (4th image down) and here. I've experienced gendered abuse directly and seen it happen to people I love. Most of the time fighting against it in isolation leads to burn out or disengaging entirely from the activist world.
So I was incredibly excited when the Salvage Collective put out a call for interviews from survivors of gendered violence in activist communities for their research project. I was also super flattered that they used an image from my mini-zine in their callout and immediately offered to provide any more artwork they needed for the project. They asked me to design and illustrate the cover of their amazing report.
The images I created are based on the hope represented when spaces and structures that have been neglected are reclaimed. With nature, this is an inevitable process. Unfortunately with people, it is a battle where those who are fighting against neglect and violence encounter an absolute shit ton of opposition and further abuse. People are pretty invested in not conceding their power, unlike abandoned buildings.
If you are under the illusion that this doesn't happen amongst people who claim to care about liberation and social justice, then you really need to read this zine. It's 70 pages of mostly first hand accounts from survivors - and that's edited down from hundreds of pages of interviews. Not only does gendered violence happen with depressing frequency on the left but the responses from people who should be setting an example when it does is most often piss poor. We need pockets of resistance to demonstrate that it's possible to do better; human examples of nature winning back space from an ever expanding and destructive industrial capitalism.
This project - and this zine - is part of the process of redressing that imbalance. It is ongoing, hard work, often done by the very same people who are directly affected by gendered violence. It's time for more people to step up and support those who are working to salvage what's been ignored and left to rot.
Buy the zine in my shop or from the Salvage Collective for a mere £2 - an absolute bargain. Keep up to date with what @Project_Salvage are doing, attend one of their workshops or support them to deliver workshops where you are.
The fourth and final issue of The Man Called Uncle Tim has arrived back from the printer. This series has been an ongoing investigation into the life of my enigmatic uncle who lived in a queer, polyamorous household in rural Ohio and who died in 1995. The final issue features conversations with Don, one of only two surviving members from the J. Hartzelbuck household.
Aunt Judy, featured in issue #3, facilitated my introduction to Don and I've been talking to him by email since 2013 when I started this project. He still lives in Raven Rocks so when I went to scatter my grandma's ashes in the woods near my grandpa's ashes and Uncle Tim's grave, I was able to talk to him in real life.
At the beginning of this
project, I assumed I would be making five, six or more issues of the
zine. When I started pulling together all the conversations Don and I
had over the years though, it really felt like a conclusion to this
story. He was able to provide so much insight into a portion of Uncle Tim's life
that had remained largely hidden from the rest of my family. I also felt seriously relieved when this became clear. I'm ready to move onto new projects.
No doubt, there are many more potential perspectives to and opinions about his story. In fact, one of the
things that has made me really happy about this project is the number of
new conversations about Uncle Tim that have occurred in my family as a
result. The impetus for starting
this was to ensure that Uncle Tim's story doesn't get lost once the
generation who knew him directly are not around anymore.
The fact that
it became something so many people were interested in was a
surprise to many of my family members who I collaborated with. But it is
a fascinating story about alternative ways of living, risk taking and
the unwavering conviction to be true to your own desires and values. So
I'm not so surprised people have been able to find meaning in it even when they don't know the characters personally.
Issue #4 is now available to buy in my shop. You can also buy the full set for yourself or as a gift and save some money.
The third issue in the series of zines about my uncle who lived in a queer polyamorous household is now published. Based on conversations I've had with my Aunt Judy, it is a further exploration into Uncle Tim's family/community and the values that influenced his life. To find out more about the project, you can read about issues #1 and #2.
Aunt Judy was there when I conducted the oral history interview with my Grandma that features in issue #1. In fact, it was Aunt Judy's suggestion that we talk about Uncle Tim in the first place because she was so proud of how her had mother supported him. Since that talk so many years ago, we've had a long and fascinating correspondence about Uncle Tim and about what this project has meant to our family. Any silence that might have existed around his life has been well and truly broken.
Although I've obviously been itching to find out more detail about Uncle Tim's life in Raven Rocks and the make-up of his unique family, what I found most rewarding was hearing about Aunt Judy's relationship to him as a sister. It was especially interesting to hear about how that relationship evolved up until his death.
This issue features plenty of new information that sheds light on Uncle Tim's life though, particularly about why it ended up being so separated from his biological family. Aunt Judy provides personal insights from her visits to Raven Rocks over the years as well as philosophical reflections on the life they chose to live. In this issue, I have made the choice to move the focus on from Quakerism and start looking into some of the other influential values embraced by the J. Hartzelbucks.
These will be available exclusively at DIY Cultures at the Rich Mix in London on Sunday the 24rd of May. After that, they will be available to buy through my store.
This is the second issue in a series of zines about my uncle, who helped to found an intentional community in rural Ohio in 1970, where he lived in a queer polyamorous household until his death in 1995. I never got to know my uncle while he was alive so these zines are my attempt to understand how he lived and loved during his brief but extraordinary life. Issue #1 is based on oral history with my Grandma and this issue is based on conversations with my dad.
A major factor that led me to start this project was the general silence about my uncle that existed throughout my childhood. To be honest, there was a lot of silence in my family when it came to anything that was difficult to talk about. But it wasn't just not knowing about how Uncle Tim lived, I had no idea what it felt like for my dad to lose his brother so young.
Talking to my dad openly about my uncle was revelatory. Not only did I learn about how close he and Uncle Tim were when they were growing up, it was the first time we'd had a real, profound conversation about things like death, sexuality and difficult emotions. It may have taken more than 35 years but it was also the first time we communicated about what it feels like to be the weird kid desperately searching for a different life, something Uncle Tim and I shared.
As important as anything was hearing how he felt about Uncle Tim's death, especially after such a long period of not being in contact. There is still so much more to learn about Uncle Tim's life from the other people who were close to him so the search continues. For now, pick up a copy of issue #2 in my shop.
My first zine in many years is finished. Well, really this is half comic book, half zine. I posted the introduction back in November, which other than a few minor changes and the addition of color, is still the same. This first issue is based on oral history I did with my Grandma about 5 years ago. She died last year so it really was time to put the words she shared with me to use.
I've started the epic task of uncovering the hidden life story of my Uncle Tim. For now, I thought I'd share the introduction to show what an important and exciting project this is for me.
Every day on my ride to work, I witness people on paid 'street art' tours around Shoreditch. The tour guides are inevitably highlighting the work of famous (white male) street artists. As a result, I've increasingly turned toward making more art directly for the people I know and love rather than sticking it up on random walls. This 40th birthday book for my partner is an example of what I mean.
I participated in a talk/workshop about art and social and political history along with Melanie Maddison at Leeds Zine Fair last weekend. There were lots of other things going on too. Here is my go at 'have a go' letterpress. I completely ruined the first one through over-eagerness and this one is full of fingerprints as a result of impatience. Still, I did it myself.
I developed this poster about Helen Brook for the latest issue of the wonderful zine Shape and Situate: Posters of Inspirational European Women. If you're not sure who Helen Brook is, I'm not surprised as there is a complete dearth of information about her on the internet. This is despite being one of the founders of sexual health services for young people in the UK. The main young people's clinic still in existence is even named after her.
Although I made them years ago, I have never posted about the two designs I did for the wonderful Celebrate People's History poster series.
The most recent poster is about the Disney Animators' Strike of 1941. This strike took place after the massive success of Snow White and the Seven Dwarves. This poster is still waiting to be printed but is available in Celebrate People's History!: The Poster Book of Resistance and Revolution. While I'm interested in any successful challenge of workers against the bosses, what really excited me about this was what came after this strike.
